Last night, Mr. H. and I ventured down to the Minnesota Zoo's IMAX theater to take a peek at U23D.
Now, I'd never seen a movie filmed in the IMAX format before, let alone a 3D movie (yes, kids, somehow I missed Jaws 3D), so I wasn't really familiar with the format, let alone if a 3D experience was really, well, three dimensional. I figured, if nothing else, it would be an opportunity to see the Vertigo tour show, because Mr. H. and I had been cruelly shut out of ticket purchasing opportunities when they hit town two years ago. While I am a U2 fan, and have been listening to their music ever since I was fourteen (which is, precisely, the same time my well-documented crush on The Edge developed) my fandom is nowhere near the level Mr. H. has attained. He's a U2 fanatic. He has every album they've ever released, including the rare imports. He has books and DVDs. And, after one memorable front row experience on the Zoo TV tour, he has, in a Ziploc baggie, carefully preserved a tee shirt he was wearing that Bono's sweat dripped on. So, as you might have gathered, after the cruel ticket mix-up, Mr. H. was really looking forward to seeing this film. I, too, was looking forward to it, because, honestly, it never sucks seeing U2 perform.
We were, however, not expecting what we got, which was, well, everything even the most lackadaisical U2 fan could have ever wanted, let alone someone as dedicated in their fandom to U2 as Mr. H. It went ABOVE AND BEYOND anything we could have expected. It was amazing.
Imagine, if you will, a sixty-five foot white wall, and steep, expansive, theater seating opposite it. We positioned ourselves in near to the middle of the seating, placed our overlarge 3D glasses on our heads and strapped in for the ride. The opening of the film, when they were rolling the credits, was, I believe a way to orient the viewers to the 3D experience. You followed a young woman, running, and it became obvious, only after a few moments that you were following the first person through the gates, and she was doing the mad rush authorities no longer allow you to do when you go to a concert---rush for the general attendance spots near the stage. The shot then went to a darkened arena, where the fans were anxiously awaiting the band's appearance on stage. Confetti was thrown, and it seemed you could reach out and touch it as it fell. The Argentine flag was being waved, and it felt as if you could have been whipped by it. People in the audience were positioned directly in front of you, and, again, it felt as if you could reach out and touch them.
Then the band came out.
They started off with Vertigo, and when they screamed, "HOLA!" and the South American crowd went wild, the illusion was complete: it was real, you could reach out and touch them if you wanted to. By the time they played my personal favorite song of all time, Where the Streets Have No Name, I actually had to remind myself that I was not at a U2 concert, and jumping up, dancing, singing along, and in general just going wild, would not be welcomed by my fellow movie viewers. It's hard to describe the experience. The people at the IMAX had put up, before the film started running, tidbits of several positive reviews of the film, and one of them said something to the effect of, "It's better than being front row at a U2 concert." And it was---but in a very specific way. If you've ever been to an event you've only previously watched on tee vee, and then gone to the same event as it was staged live, you know that cameras can provide something you, the average spectator in a huge arena, cannot view: your eyes simply aren't good enough, your brain cannot process all that several camera operators and a crew in a control room can. But you'll never, when watching a concert on film, have the experience of being jostled by the crowd as you gaze up to see your favorite band playing; you'll never feel the heat of all the people crowding you; or the absolute communal exhilaration when the band rocks the house down to its foundation. The twain, in other words, do not generally meet. Here, however, they do. You get the experience of seeing it all, being able to catch things only cameras can see, whilst simultaneously feeling as if you're there. It's amazing. I don't know how they did it, but the filmmakers managed to accomplish the rare feat of making a concert film that actually makes you feel like a participant, not just a spectator.
The sound was fantastic, but wasn't overpoweringly loud. The play list was exceptional, and included many favorites like Bullet the Blue Sky from The Joshua Tree, but also New Year's Day, Pride (In the Name of Love), Sunday Bloody Sunday, that are U2 staples, and fan favorites, but that they don't play live all that frequently because they prefer to focus on the newer stuff. The play list was obviously tailored to appeal to all, but in this instance, it wasn't shooting for the lowest common denominator audience---this is STILL quality music, that is still worth listening to, almost twenty, and in some instances, almost thirty years later. It wasn't at all like when The Stones roll out Brown Sugar for the umpteenth time, and you can see that while they're bored with it, that this, nonetheless, is what pays the bills, so give the audience what it paid $120+ (per person!) to see, lest they not want to show up again and feed our largesse. This is music U2 still cares about, and that's enough for them to play it properly and with verve.
About the only downside of this film is that Adam Clayton, the bassist, was obviously having fun with the 3D aspects and he kept hamming it up in front of that particular camera. Many times it felt like you were going to get smacked in the face with the end of his bass, but, honestly, that was the only downside of the film. It's an AMAZING experience, and if you like U2 even a little bit, or even have a grudging appreciation for the band, let alone are U2 Fan #1, YOU NEED TO GO AND SEE THIS FILM. It's incredible. If you can see it in IMAX, I highly recommend doing so. Mr. H. tells me it's going to general release soon enough, but the IMAX experience is well worth the extra high admission price.
Trust me on this one. You won't be sorry.
Posted by Kathy at March 23, 2008 12:02 PM | TrackBackI saw U2 play at Carver Hawkeye Arena in Iowa City back in the fall of '87 (Joshua Tree tour), and they abso-freaking-lutely kicked ass. After the Bo-Deans finished opening for them, the lights went out for about 45 minutes. All of a sudden, you could hear the organ & the Edge playing the opening chords to "Where the Streets Have no Name". As the music built, the stage lights slowly came up. It gave me freakin' goosebumps, it was so delicious.
Probably the best concert I've ever been to (Tinsley Ellis playing at open mic night at Blues on Grand the night after his show at the Hotel Fort Des Moines because his flight was snowed out would be a very close second).
Posted by: Russ from Winterset at March 23, 2008 01:04 PMThat's awesome!
I saw U2 Rattle and Hum in concert at the Pete Maravich (sp?) center on LSU's campus in 1987. I think that was their best album/CD ever!
Very glad you enjoyed it!
Hopefully, it will come down here.
; )
Posted by: Christina at March 23, 2008 01:07 PM